Dem Slackers turns in a nice electro-house mix (please do NOT go claiming that 4 minutes is "extended") of his own "Rocks n Stones". I wish I could identify the vocalist; she sounds vaguely Katy Perry-ish, but MizA disagrees. If you listen to the vocal sustains that start around 2:40 you can hear she's got some potential but it's still too heavily autotuned to be sure.
Loo & Placido do a kind of strong electro slam-mix that can be a lot of fun when it works, and this one works. It's a five-way mash that is scheduled to appear on their New Year's release bootleg pack. I'll try to blog more of the tracks once it's released. Meanwhile this is some highly danceable stuff.
This is Live City (https://www.facebook.com/LiveCityMusic) remixing London Grammar's summer blue-collar ballad "Strong" (https://www.youtube.com/watch?v=6drfp_3823I). I have to say that even though it's a bit cliche' I love her idea that 'strong' for a man is tenderly caring for a child. Also, fireworks. Take that Katy Perry. OK, where was I? Right, this remix - it's labeled prog-house but it feels more like standard vocal house. Hannah Reid (the singer for London Grammar) still carries this track the way she does the original. Vocals + piano + dance beats = beautiful, what can I say?
Just Fine and Atik did an electro-stomping remix of Sandro Silva & Quintino's "Epic". The original (https://www.youtube.com/watch?v=IQKsLOPK_ls) is a high-BPM summer dance vibe that's pretty heavy on the thump. The bootleg use a slightly slower tempo and more orchestration, but it's still instrumental thumpy dance. The best part is definitely starting around 2:15 where the track drops to almost slinky riddim styles before speeding back up again.
OK you've been very patient to get this far so here's your reward. Mashup Germany has been really prolific of late, but much of it has been German-language things that haven't really grabbed me. Rammstein, however, is a horse of another color altogether. This is a four-way mash built around their classic "Du Hast" which is a song I simply cannot play at less than volume 11. I also laughed out loud at the transition at 1:45 - it's the sort of "he did NOT..." transition I love in Mashup Germany's work.
The second one is listed as Mashup-Germany vs. DJ Schmolli because M.G. started with a Schmolli mash and then added his own touch. This is great work, though I think it's a little slow to start - the track doesn't really kick into high gear until almost 1:30. I've been sort of disappointed by Schmolli's efforts lately - he's doing a mash-a-day thing - and it's nice to be reminded that he did great work in the past and it can be made even better.