DJ Schmolli is back with a pleasant and fairly sophisticated mash. He's got four tracks including two versions of "She Moves" by Alle Farben (https://www.youtube.com/watch?v=HC1MmjPu3Xo) a lovely vocal dance piece that has some obvious swing influences. Schmolli skips his usual metal componentry in favor of more subtle beats and horn accompaniments. Using other vocal bits from "La La La" as counterpoint works very well. If it wasn't December I'd say this was a great summer track.
This is an oldie but somehow I failed to notice it. Back in 2012, dj bahler and Frail Limb Purity sat down with their friends from the Glitch Mob and put together a full mixtape of mashes using mostly music from Glitch Mob and The Weekend. The set tones down and mixes nicely with Glitch Mob's usual bombast. I'm on my fourth listen-through and I think my favorite is still the opening track "Unspoken" which uses five tracks in a mash that is at once innovative, surprising, and intimate.
A triple-pack from a new-to-me remixer who goes by kill_mr_dj.
The first one, I am not quite sure what to make of. It is clever and it makes me listen to Alanis Moreupset again, which I generally try to avoid. The mix is definitely arranged as a point/counterpoint with a strong transition starting about 2:30 in. I confess that "Edge of Seventeen" is one of my weaknesses, having come into my hearing when I was about that age, and feeling some of those feels. I don't know if it'll appeal to anyone else, though.
The second is a straight up A|B mash using Men at Work and Avicii. It, too, is clever and more pop-appealing than the previous track.
The third one, well you can like or not. It's using London Grammar's cover of Chris Isaak's "Wicked Game" which I think is as haunting and even more beautiful than the original.
Speaking of clever, ChasingPlanets has built a nice combination using guitars from "See Fire" (https://www.youtube.com/watch?v=2fngvQS_PmQ) a track off the previous Hobbit movie soundtrack. This is overlaid with some of the lyrical poetry that made Nas and Tupac famous. It's haunting and beautiful in ways wholly different from the original, but similar in spirit.
James Brown mixes are easy to do wrong. You end up with something spastic or something that just recapitulates what everyone who followed Brown sampled and took from him. Here MadMixMustang shows us exactly that by using Michael Jackson's "Wanna Be Startin' Somethin'" with Brown. WBSS is very clearly a direct descendant of Brown's work and pairing the two is a nice Master-and-pupil duet. A bit too much Michael for my tastes, but that's just me.