Dmitriy Redko (AstroPilot) put out a nearly two-hour live psychill set last year. I confess I don't find a huge difference between psy-chill and psy-trance, if you know that style. This is not exactly downtempo, but it's airy, breathy, relaxing. Someone I played this for called it "floaty" music and I know what they mean. Good for destressing, or keeping your head down amid ongoing chatter.
Pumpkin uses a lot of what's good in Motown, rock, country (yes), and hip-hop from the last couple decades. Some of it is just sampled, some is updated and covered in the course of these two hours. It's fun to listen along and see what you can pick out. Some of it is really obvious (Paul Simon and Talking Heads, anyone?) and some of it is recognizable to people who listen to a lot of EDM (e.g. Zhu's "Faded"). Generally a lot of fun and keeping-you-going tempo without being overwhelming or hard-driving.
NRG's live show also clocks in a bit over two hours, filled with tracks from other people and their own remixes. It's much more reggae, rap, bounce, and hip-hop than the previous two, featuring names like Defunk and Tribe Called Quest. The style is more scratch, electro, and breakbeats than my usual but I found it a nice contrast to what we've had so far.
After featuring a good bit of Markus Schultz's work last time I went looking for a sense of what he's like live and found this, a 90-minute set he did earlier this year. This is a pretty straight-up club trance set, with mostly Schultz's own work on original tracks as well as remixes/mashes. High energy, high BPM even when he's using Sarah McLachlan.
Cross-posted from Dreamwidth, at http://drwex.dreamwidth.org/964957.html. Please comment there; this journal is winding down.